Home Entertainment Movie Review Article 370: Election Season Propaganda or Thought-Provoking Drama?

Article 370: Election Season Propaganda or Thought-Provoking Drama?

Article 370: Election Season Propaganda or Thought-Provoking Drama?
Screen Grab from Article 370 Movie

As the political atmosphere heats up with the impending elections, filmmakers have stepped into the arena with their own brand of canvassing. Leading the pack is “Article 370,” a compelling government narrative on the Kashmir policy that culminated in the abrogation of the controversial constitutional provision on August 5, 2019.

Director Aditya Suhas Jambhale presents a slick and persuasive portrayal, akin to a high-powered PowerPoint presentation set to a pulsating background score. The film meticulously connects the dots often lost in the cacophony of news debates, aiming to elucidate the circumstances leading to the end of Jammu & Kashmir’s special status.

“Article 370” doesn’t shy away from its political agenda, strategically released amidst the election fervor. Aditya Dhar, known for his directorial prowess in “Uri” (2019), collaborates as a co-producer and co-writer, while Yami Gautam, his proficient better half, takes the lead as intelligence officer Zooni Haksar. Zooni, a Kashmiri Pandit with a personal vendetta against the state’s corrupt political elite, becomes the mouthpiece for the film’s ‘us vs them’ narrative.

The narrative deftly molds historical events to fit the political narrative endorsed by the ruling establishment. While it sheds light on the flaws in Jawaharlal Nehru’s alliance with Sheikh Abdullah, it conveniently sidesteps the Bharatiya Janata Party’s coalition with the Jammu & Kashmir People’s Democratic Party.

Unlike the overt jingoism of “Uri,” “Article 370” opts for a more nuanced approach, delving into the complexities of back-channel diplomacy and the economics of conflict. However, in its attempt to vilify Kashmiri leadership, the film inadvertently exposes the moral ambiguities within Delhi’s corridors of power.

Performances by seasoned actors like Raj Zutshi and Divya Seth add depth to the narrative, while Yami Gautam and Priyamani shine in their roles, portraying determined women grappling with the ramifications of political maneuvering.

Yet, as the film progresses, it veers into simplistic territory, reminiscent of Bollywood’s lone-hero narratives. It appears the makers aim to circumvent democratic nuances even within the realm of dramatization.

“Article 370” is a timely and meticulously crafted narrative that seeks to sway public opinion. While it effectively presents its perspective, its simplification of complex issues may leave some viewers craving a deeper exploration of the subject matter.

Overall, “Article 370” serves as a potent piece of political cinema, offering insight into the intricacies of India’s Kashmir policy while igniting debates on the moral conundrums therein.

Disclaimer: The opinions expressed in this article are solely those of the author and do not necessarily reflect the views or opinions of Business Headline. We do not take responsibility for the content of this article.


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